Scarlet Letter

But (Hester) is non the protagonist; the chief actor, and the tragedy of The chromatic Letter is not her tragedy, but Dimmesdales. He it was whom the sorrows of death encompassed..... His overt confession is one of the noblest climaxes of tragic literature.

This statement by Randall Stewart does not contain the same ideas that I believed were contained within The Scarlet Letter, by Nathaniel Hawthorne. I, on the contrary to Stewarts statement, think Dimmesdale is a coward and a hypocrite. Worse, he is a self-confessed coward and hypocrite. He knows what he has to do to keep mum the voice of his conscience and make his peace with God. Throughout the undefiled chronicle his confession remains an obstacle . While Hester is a relatively constant character, Dimmesdale is incredibly dynamic. From his fall with Hester, he moves, in steps, toward his public hint of sinning at the end of the novel. He tries to unburden himself of his sin by revealing it to his congregation, but in some way can never quite manage this. He is a typical diagnosis of a wuss.

To some extent, Dimmesdales story is one of a single man tempted into the depths of the hormonal world. This world, however, is a place where the society treats sexuality with ill grace.



But his line of work is enormously complicated by the fact of Hesters marriage (for him no technicality), and by his own image of himself as a churchman devoted to higher things. Unlike other young men, Dimmesdale cannot support his loss of innocence and go on from there. He must struggle futilely to get back to where he was. lacerate between the desire to confess and atone the cowardice which holds him back, Dimmesdale goes meagrely mad. He takes up some morbid forms of penance-fasts and scourgings-but he can...

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