William Butler Yeats can be expound as fairness of the last ro parttics, despite broadening his style later in life to include some of the new modernist techniques and ideas. A military personnel of deep respect for ceremony, Yeats maintained his passion for rhyme and step throughout his life, and this appreciation of form kept him from jumping rashly into the realm of modernism. His poetry begins as highly romantic, fearful and introverted, all told when as Yeats matures, his poetry gains a t cardinal of betrothal and broader purview that includes the rest of civilization--not to mention a more modern, minimalist style. Adorned with hopeful language and lush imagery, Yeats early poems are characterized by a sort of fearful tunnel passel that focuses on only his own emotional life and Irish mythology. These early poems are highly structured, typically carrying a quite sing-songy meter, and tend to outflank around ascendents that contrast a bumpy man with a faery l and to which Yeats yearns to escape. The reality versus queen regnant land theme in this early period of his passage is just one incarnation of the common theme of antitheses throughout Yeats career. These antitheses are a part of his belief system, as described in A Vision, which (very simplified) states that everything works in cycles.

Using gyres as symbols for the cyclic habits of nature (such as patterns of growth and decay, waxing and waning, etc.), Yeats rudimentary theory was that everything requisite an antithesis to be complete, and that everything moved in a cycle between one opposite to the other, like a pendulum of sorts. As can be seen in The Stolen Child, Yeats held a fe ar of the pain and toils of reality that led! him to yearn for a romantic escape. The child symbolizes an purity that Yeats cannot find in the... If you call for to get a intact essay, order it on our website:
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